STORIES

YOU CAN TAKE THE CADILLAC OUT OF HOLLYWOOD, BUT…

If she’d have walked into any other Cadillac dealership in July of 1941 and paid cash for a brand new Series 62 convertible at the age of 21, eyebrows would have been raised higher than American flags.  But when Sheila Ryan walked into Hollywood Cadillac and did just that, it was just another day of selling cars and seeing stars.  Or potential starlets, anyway.

Born Katherine Elizabeth McLaughlin in Topeka, Kansas, when she left the wheat fields of Kansas and headed for the hills of Hollywood in 1939 she was deemed perfect for the burgeoning film and television industry.  Her looks stood out amongst a town of lookers.  Within a year, she was named one of thirteen “Baby Stars of 1940”.  In her earlier films her name appeared in the credits as Bettie McLaughlin.  The following year brought a new name, a new contract with 20th Century Fox, and a new car befitting her quickly earned place in Tinseltown.

Tank Tussleman, the salesman at Hollywood Cadillac, did all he could other than discount the convertible to try to bed the buyer, but found her defenses to be stronger than those of Pearl Harbor and had to settle for just a healthy commission.  A notch in his wood desk just off the showroom rather than one in the bedpost at his place at the Coronet apartments.

Sheila cut an imposing figure.  At 5’2” and 107 pounds, she was described in a 1940 newspaper story as one of a group of actresses  “whose alluring curves alone might have disqualified them from screen careers not so long ago.”  There was debate around the studio as to whether Sheila made the Cadillac look good or vice versa, but her raven hair paired well with the metallic blue curves of the Body by Fisher.  More than one male extra at the time admired the Flying Goddess hood ornament and compared it to the one behind the wheel.

Sadly, Sheila was soon to learn that life, careers, and success are never linear affairs, but rather a series of peaks and valleys.  In her case, the peaks were choice film roles in films like The Gang’s All HereGreat Guns, and several Charlie Chan movies.  The valleys included two failed marriages in three years.  By the late 40s, she and the Cadillac both had more miles on them than were thought to be dependable.  She went straight to a string of B-movies.  The Cadillac went to a used car lot.

By then just a used car, that could be picked up on the cheap, it was just the thing Charlie Stroer was looking for when he finally got hired on full time as third chair trumpet in Benny Goodman’s band.  Knowing the fickleness of the industry, Charlie knew he could easily end up living in the drop top coupe if he found himself without a gig or a girlfriend, so he appreciated the fact that he could stretch out in it if he needed to.  An added plus was the fact that it would almost make him look successful when he’d go back home to visit his folks in Alameda.  After all, it was a Cadillac, and a convertible at that.

His folks only got to see the Cadillac once.  Less than eight months after he bought it he lost it in a card game betting on what he thought was a sure hand.  What he wasn’t betting on was the fact that the guy across the table from him, a backup dancer on contract at MGM, was just as good at cheating at cards as he was doing the foxtrot.  Not one who liked to lose, much less to an underhanded backup dancer, Charlie neglected to give the Bunny-Hoppin’ card-cutter the title or spare set of keys, claiming he only had one set and the title was in a safe deposit box at the bank.

The next morning Charlie packed up what little he owned, looked up the address of the dastardly dancer in the White Pages in the phone booth on the corner and proceeded to steal his own car back.  Not wanting to see what the next move was in that Cha-Cha, he got in the Cadillac and kept on driving.  All the way to the other coast.  The Series 62 looked right at home in front of the best night clubs in The Big Apple, Charlie playing with some of the biggest bands of New York City for more than three years.  That was about when Charlie and the Cadillac headed south.

It seems that Theresa Thorensen, Sister Thelma’s cousin, was on a two week long vacation to NYC with a group of friends to celebrate their recent graduation from South Texas College of Theatrical Arts when she stumbled into Bop City, where Charlie was playing.  She immediately filled a hole in his heart he didn’t even know he had.  She sold her return ticket to Fort Stockton on the Greyhound Scenicruiser to some poor schmuck who thought oil wells were like trees, just waiting to be picked clean.  Marty Roth remembers helping Charlie and Theresa load up the Cadillac out front of the 3 Deuces and watching them pull away from the curb and head towards fate.

The fourth day on the road, Charlie and Theresa made it as far as Mobile, Alabama before she made him pull over and get a room at the Ramada Inn for the night.  Turns out the hole in his heart wasn’t a result of the love he’d been looking for.  It was an actual hole.  An undetected atrial septal defect he had since birth, but never was even aware of.  The unadulterated enthusiasm Theresa displayed there at the Ramada apparently put such a strain on his condition that what started out as a passionate round of doing the horizontal greased-weasel tango ended up in Charlie crossing the River Styx.

Theresa made arrangements there in Mobile for Charlie to be planted, not having a single clue if he had family or where they might be found.  The folks over at the Mobile Mortuary said the hardest part of the whole thing was getting the smile off his face for the viewing. “At least he went out with a bang, not a whimper,” the embalmer said.   It was a long drive back home to Fort Stockton in the Cadillac.  When she pulled into the driveway of her parents home, she was not the same woman she’d been when she left.

Theresa never married.  Never wanted to explain her past.  Feared another man falling prey to her apparent talents.  She got a job at Jim Bowie High School teaching Musical and Theatrical Arts, where she stayed for nearly fifty years.  Her production of Death of a Salesman raised eyebrows with how he died in the end, but got good reviews in Stockton Telegram-Dispatch, nonetheless.  

In the late 90s, with the advent of the internet, Theresa was able to research the history of the Cadillac using public records and was heartened that it had apparently always been owned by people in The Arts.  She still drove it to school every day, a reminder of just a few weeks of her life that charted a different course for her future.  She tracked down Charlie’s closest living relative in Alameda using an ancestry website.  “Charlie who?” they asked.  As she hung up she felt fairly certain they would not be making a trip to Alabama to pay their last respects.

“It’s been long enough now that I can share all this with you,” Sister Thelma told us all at The Grounds for Divorce a while back.  “She wouldn’t mind.  She just didn’t want folks at the Piggly Wiggly looking sideways at her if it got out while she was still alive.”

We all nodded.  So much information to digest all at once.  

“She said to sell the Cadillac on Bring-a-Trailer.  Donate the money to the Drama Club over at the high school for a production of Cabaret that will knock everyone’s socks off,” Sister Thelma told us all.

“Can’t afford the Cadillac, but I’ll kick in a Benjamin for the cause.  I’ll make it $500 if they’ll do HAIR instead,” Lucinda said as she refilled everyone’s Folgers.

“Too soon,” Sister Thelma said. “Too soon.”

The classics never get old.

9 responses to “YOU CAN TAKE THE CADILLAC OUT OF HOLLYWOOD, BUT…”

  1. Thanks, Captain, for the mention.
    While memory may be biased as years accumulate, I remember helping Charlie and Sheila load up the Caddy with her outfits and his trumpet as they departed the Big Apple. Charlie was dependable as a backup trumpet player, emulating Bobby Hackett from the Glenn Miller band, and behind other trumpet guys like me, and also Lew Soloff, later as lead trumpet in Blood, Sweat, and Tears. My own trumpet recognition got me backup in other TV show Stage Bands, Radio City Music Hall, and a half dozen Broadway Musicals well into the 1960s before moving to New Orleans for the music, food, and a fantastic gal. We would all hang out by Birdland, other jazz spots, and at Local #802 Musician Union headquarters where we had access to rehearsal rooms and for picking up local gigs, as well as weekends at the Jersey Shore and Catskills Resort hotels. Among my favorites were Jerry Vale, Nipsy Russell, Henny Youngman, Grossinger’s, Nevele, Tamarack Lodge, South Fallsburg’s Pines Hotel with Greg, Maurice, and “Chink” – Hines, Hines, and Dad – a seriously talented act! Greg later did the movie “TAP” with Sammy Davis, Jr. Another big plus was that of working with Norman Bergen, the extremely talented pianist, composer, arranger, and conductor of Oh! Calcutta! (first Broadway show with full frontal nudity). I once asked him what he used at the show for a baton.

    Charlie’s death was another in a string of losses of significant musicians like arranger, friend, and renowned trombonist Jim Dugan, Lew Soloff, and to music of the night.
    Sheila, as well as Charlie’s blue 1941 Cadillac made a lasting impression on me. Eventually I was able to afford a 1941 Cadillac convertible similar to Charlie’s, but by then the calendar said it was 2005.

    Some things are timeless:
    beautiful women like Sheila,
    Even more beautiful my amazing bride of so many years,
    great music,
    and especially our yellow 1941 Cadillac convertible convertible which we still drive cross country, living the dream.

    With a nod to Keats:
    Beauty is Truth,
    Truth Beauty.
    That is all / Ye know on Earth,
    And all ye need know.

    • By the way, in addition to Norm Bergen’s other accomplishments, he conducted and arranged for Tony Orlando much of their career, including the years of the club and shows at Branson. They grew up as kids in Brooklyn.

  2. Nicely done, Captain! Some real folks, some not-so-real folks, and a story that intertwines them. Betcha you caused your parents more than a bit of grief sorting out your tales in your growing up years!

  3. Good story Cap; keep ’em comin.
    Frankly, I can’t imagine how you keep all the characters, cars, and chaos of Fort Stockton straight much less the relatives, the rumors, and the absurd. Did Musk & Zuckerberg co-develop an AI database to assist or you keeping Texas’ largest rolodex? d;)

    • There are a million stories in the Naked City. Not that the good folks of Fort Stockton tolerate public nudity. Unless it’s tasteful, of course.

  4. Beautiful car and beautiful story… Thanks Captain!

    A 13 year old weasel walks into a bar and approaches the counter…

    The bartender immediately notices the underage weasel.

    “Sir, you look extremely young. I can’t serve you even a single beer.”

    “Oh c’mon. You can’t just slide me one?”

    “Can’t and will not serve to anyone under age.”

    “Fine. Well what other things do you have?”

    “Well for non-alcoholics I have tap water and bottled water, I have coffee, and I have pop. Which would you like?”

    “Pop.” Goes the weasel.

    • So-da punch line is “Pop”?
      Now you got me telling dad jokes, too. I like ’em because they’re appropriate for the lobby of the County Bank; I just can’t tell ’em. Maybe Anne will read them to Randy to save me the “rimshot” sound effects from the loan officer.

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