
THE SECOND OF TWO PARTS. A HEAVY TWO PARTS.
Leon watched the door to Room #3 like it owed him money. He expected it to open—maybe she’d step out for ice, or hit the vending machine again. Maybe even ease that Mercedes out onto the access road and vanish into Fort Stockton, or at least over to the Dairy Twin for a cheeseburger basket. But it stayed shut. Day one passed without a whisper. No visitor. No movement. Not even a flicker of light under the door after dark.
By the morning of day two, Leon had jotted half a dozen opening lines on a scrap of motel stationery—lines he thought might impress her, lines that straddled the line between clever and desperate. He was partial to one about her car—something about the SL standing for “Sleek Lady.” He chuckled to himself when he wrote it, but by noon he wasn’t laughing.
The glass pressed to the wall gave no secrets. No water running, no TV, no movement. Just silence. Enough to start scratching the edges of his brain. By sunset, he couldn’t take it anymore.
He walked the short stretch of sidewalk, master key heavy in his hand, and knocked on the door to Room #3. Nothing. He knocked again, louder this time, then waited with his ear bent toward the wood. Still nothing.
Leon slid the key into the knob and turned it.
The door creaked open, and the air inside hit him like something long expired. She was on the bed. Still. Head resting against the pillow like she’d just lain down and decided not to get back up. Her skin, once smooth and kissed with sunshine, had gone pale and waxy, her hair still falling across her shoulder like it had been styled that way.
Dead.



More than a day, he guessed. Maybe closer to two. No blood, no bruises. No signs of struggle or distress. Just… stillness. Like someone had hit pause.
The suitcase on the bed was open. Bundles of cash, neatly wrapped and stacked, filled it to the top. Not twenties. Fifties. Hundreds. More money than Leon had ever seen in his life. No notes. No ID. Just the anonymous end to a story no one had started telling.
He backed toward the door slowly, eyes scanning the room for anything else—a bottle, pills, a note, a clue. But there was nothing. Just a dead girl, a half-million in cash, and a room cooled only by a groaning air conditioner and the creeping hand of decay.
Back in the office, Leon clicked off Petticoat Junction. The laughter and canned applause felt obscene now. He sat still for a while, hands flat on the counter, staring at the switchboard like it might offer a solution.
Finally, he flipped the plastic placard to read BACK IN 1 HOUR, stepped into the heat, and climbed into the Granada wagon, the one inherited from his mother. He didn’t drive far. Just down the road to the Dairy Twin.
Inside, the air smelled like fried grease and root beer syrup. Nellie was behind the counter, wearing her usual scowl and orthopedic shoes, her hair gathered in the back to keep it out of the fries, just like it had been since the Reagan administration. She wore a pair of oversized glasses on a beaded chain and had a perpetual smear of pink lipstick that seemed painted on with resentment.
Nellie had never given Leon the time of day. Not when they were kids, not after high school, not even when he’d once tried to tip her more than the coffee was worth. She acted like she was born to higher standards, even though she worked the same griddle and wiped the same cracked countertop for decades. She always looked at Leon like he was someone who should be pitied, but from a safe distance.
“Hot coffee,” Leon said. “And a brownie.”



Nellie raised an eyebrow, pulled out a Styrofoam cup, and filled it. She wrapped a brownie in waxed paper—smaller than the one in the display—and slid it across the counter.
As she did, she looked out the window and smirked. “I see you’re still driving your mom’s ol’ Granada.”
Leon took the insult in stride, but it landed heavy.
He took his coffee and brownie to the back booth and sat down. The vinyl seat stuck to the backs of his thighs. He let the coffee burn its way down, hoping it might cauterize the tangle in his gut.
He thought about calling Chief Martin. Of course he’d call. He had to. That wasn’t the question.
The question was the cash.
All that money. Untraceable, maybe. Unclaimed, maybe. She hadn’t signed a name, hadn’t left a number. And she was dead now, gone without a word.
Leon took one bite of the brownie and left the rest. It was dry, bitter. Like guilt.
He slid back into the Granada and didn’t turn right, back toward the Naughty Pine. He turned left.
Toward Frontier Ford.
The showroom lights cast long reflections across the hood of the 2024 Mustang Dark Horse Premium coupe. It looked like sin wearing racing stripes. Shadow Black paint, leather and microsuede inside, a stance like it wanted to bite something. Leon stepped closer like he was approaching a wild animal.
Rodger, the salesman, appeared from behind a desk. He blinked at Leon, surprised to see him near anything shinier than a vending machine. Rodger had worked the lot for nearly twenty years. He’d sold half the town a new Ford at one point or another—F-150s, Tauruses, even the occasional Explorer. He could tell a person’s credit score just by how they opened the showroom door. He had Leon’s pegged somewhere around nonexistent.
“Evenin’, Leon,” Rodger said. “Just killin’ time?”
Leon didn’t answer. He circled the car, hands in his pockets. The sticker on the window said $73,295. More money than he’d make in ten years.
Rodger leaned in. “It’s got the 5.0-liter Coyote V8, 10-speed auto, MagneRide dampers, Bang & Olufsen stereo—twelve speakers. Recaro seats, Handling Package, Gurney flap on the wing. It’ll turn your insides to soup if you floor it.”
Leon nodded like he understood.
“Comes with floor mats, tow hook, wheel locks,” Rodger added, smirking. “We even throw in the manufacturer’s literature.”
Leon looked down at the quarter window louvers, the wide Pirellis, the darkened quad-exhausts.
“I’d like to test drive it,” he said.
Rodger blinked, confused for a beat, then shrugged. “Sure. Why not.”
He returned with the keys and handed them over like he was passing off a grenade.
Leon climbed into the cockpit. The leather hugged him. The new car smell hit him hard—promise, escape, reinvention. He gripped the wheel. Thought of the girl. The Benz. The suitcase. The motel.
Then he pulled out onto the road.
And everything changed.
The Naughty Pine had always looked tired. But now, through the sharply raked windshield of a car that cost seventy grand, the whole place looked different. Less like a dead-end and more like a maybe. The warped motel sign, the cracked pavement, even the leaning privacy fence by the pool—they all seemed to belong to someone else’s life. Someone Leon had maybe outgrown.
It never looked like that through the windshield of the Granada.
He turned into the lot, slow and deliberate, the Mustang’s tires whispering over gravel like a secret. The Benz still sat there, silent. Room #3 still had its curtains drawn.
Leon parked. Let the engine tick down. Then he reached over and turned on the stereo, tuning it to KFSX.
In an irony not lost even on Leon, Mama Drove A Mustang by Ron Pope was just starting. “Damn sure wasn’t a Granada wagon,” he mumbled back to Ron, though Ron clearly didn’t care.
The suitcase was still there. So was the body. So was the decision.
He stared at the motel office door and took a deep breath, hands still on the wheel.
Then he reached for the gear selector.
And the future, whatever it held.










5 responses to “THE BLONDE IN ROOM 3, Part II – Painful Decisions”
Cappy now has offered two series in a row in a Film Noir style. Is American society at a cultural crossroads? Has he tapped a sinister vein wider and deeper than Mayor Goodman, The Facility, and/or Fort Stockton? Is he honing his craft one style at a time or, painting the background of two seemingly disparate puzzles for a collage TBD, as a post-mortem retrospective when he feels the clouds have cleared. So far the things in common are Leon, Leon’s granny’s Grenada, the Naughty Pine Hotel and the protagonist’s muse is dead. We’re off to a great start.
I can’t wait to see what The Captain taps/types next but I’ll bet it ain’t a musical.
PS. https://www.youtube.com/watch?v=GkWzOJaAYS0&t=74s
Or, maybe it’s just something I ate. Stories take a dark turn when I’m gassy.
Ummm…Leon? Acquiring a large sum of money and staying out of reach of the long arm of the law is (relatively) easy. Staying out of reach of the even longer arm of the IRS is much more difficult…just ask Al Capone.
Just as long as Leon doesn’t take that money, use it buy a percentage of ownership in the Naughty Pine, and then, God Almighty forbid, do any type of renovation/remodeling to it then I’m not going to pass judgement.
No amount of money could replace the current ambience of the Naughty Pine Motel.