STORIES

MAHOGANY FRAMED, Part II


Roy Temple didn’t care for mornings, especially the kind that smelled like regret in advance. But there it was—slid under the door of Room 4 at the Cattle Baron Hotel: a folded linen napkin with a note scribbled in lipstick red.

“Grounds for Divorce. Noon. Come alone. — V.”

He poured what was left of last night’s bourbon into the hotel’s coffee and let the bitterness even it out.

The Grounds was busy that day, full of the lunch crowd murmuring over meatloaf and county politics. Lucinda gave Roy a once-over like she was recalibrating her opinion of him. She poured a fresh cup, no questions asked, and left him to the corner booth where Velma Lister sat bathed in backlight.

She wore sunglasses indoors and drank from a porcelain cup that said “TEA” but tasted like gin. Her smile was half welcome, half dare.

“Roy,” she purred.

“Velma.”

He sat. She set down her cup. An envelope slid across the table. Fat with folded hundreds. Heavy enough to hush a conscience.

“He’s meeting someone again,” she said. “Out by Lake Leon. Same place. Same hour.”

Roy didn’t touch the envelope yet. Just looked at her. Her lips, her posture, the way she stirred the gin with her pinky and never blinked.

“What’s he buying this time?”

“Loyalty. Silence. Maybe dynamite for all I know. But I want eyes on it, and I want pictures.”

Roy flicked a glance at the envelope.

“You want him followed.”

“I want him caught. There’s a difference.”

She leaned in. He smelled honeysuckle and gin and the static before a lightning strike.

“He ever hit you?” Roy asked.

She smirked. “No. That would’ve been simpler.”

That afternoon, Roy pulled the Chrysler one block off Balmorhea. Velma’s 1949 Buick Roadmaster Riviera Hardtopwas already in the driveway, gleaming Glen Green with a Glacier White roof. Chrome wide as a smile gone bad. The sun lit up the new-for-’49 VentiPorts on the front fenders—three chrome-rimmed portholes on each side, like the car was ready to breathe fire.

The Buick didn’t just sit there. It posed.

Roy caught himself staring.

Velma was on the porch, barefoot again, garden hose dragging lazily across the front steps. Her robe clung to her like the last good secret in town.

“You always idle like that?” she called. “You looking or lurking?”

“Looking,” he said, stepping out. “Lurking’s extra.”

She laughed and waved him in like he was already hers.

Inside, the air was thick with heat and perfume. A ceiling fan ticked above, slicing the sun into stripes across the wood floor. She poured two drinks—brandy, neat—and curled onto the couch like she’d been born to tempt furniture.

“You ever get tired of chasing ghosts?” she asked, curling her leg beneath her.

Roy took a slow sip. “Depends on how they smell.”

She moved closer. Her bare knee touched his thigh. Her hand found the middle of his chest. Her eyes locked his like a closed vault.

“Tell me something true.”

“I don’t trust you.”

She smiled. “That’s fair.”

Then, without ceremony, she kissed him.

Not tentative. Not questioning.

The glass fell from her hand and thudded against the carpet.

Her robe slipped open at the shoulder, then lower. His hands found her back. Her fingers found the edge of his belt.

“I don’t want saving,” she whispered, breath hot against his jaw. “I want someone who’ll burn with me.

He didn’t say yes.

He didn’t say no.

When he left later, the light was low and amber. Her kiss was still visible—pale pink—on the inside of the windshield, high and off-center like a warning shot.

As he passed her car, he paused—couldn’t help it.

The Roadmaster’s split-back front bench seat sat wide and low inside, trimmed in deep green leather and patterned gray cloth like something from a train car reserved for dangerous people with good teeth. The dash was a chrome mural. Under the hood, he knew there was a 320ci Fireball straight-eight, ready to purr or growl depending on who was behind the wheel. It shifted with a Dynaflow two-speed automatic, the kind of thing Buick men swore felt like velvet and lied about on poker night.

Velma drove barefoot, heel pressed like a confession to the accelerator. Roy figured she’d either outrun the past or crash gloriously into it.

That night, Roy tailed Henry out past the edge of town in the Chrysler. Dust rose from the Packard’s rear wheels as it turned down an unmarked ranch road flanked by mesquite and barbed wire. The old Gonzalez Produce building loomed at the end like a place where things get buried, not sold.

Inside, Roy could just make out two figures: Henry, and the cowboy from the grainy photo. Something changed hands. Not words. Not pleasantries. A briefcase.

Roy got three shots from the camera before he heard the unmistakable click of a hammer drawn behind him.

He froze.

“Looking for oranges?” a voice asked.

Mrs. Lister.

Not Velma. The wife. Hair pinned neat, white gloves, and a pistol pointed vaguely at the dirt but not without promise.

“You’ve been busy, Mr. Temple.”

“You’ve got interesting neighbors.”

She exhaled smoke from a cigarette holder that probably had a story of its own. “You don’t belong here. Fort Stockton doesn’t care for men who get curious after the second drink.”

Roy kept his hands where she could see them. “Your husband’s into something dirty.”

“I know,” she said.

That stopped him.

“I’m the one laundering the money, Roy. I’m the reason he’s not in jail already. And I’m not about to lose it all because a private dick from Amarillo couldn’t keep it zipped.”

She turned toward her 1947 Cadillac Series 62 Convertible, burgundy with the top down. It purred like royalty and looked like a velvet casket waiting to be filled.

“One more step, and this turns into a real story,” she said.

Then she was gone. Dust rose behind her.

Roy waited until the wind took it.

Back at the Cattle Baron, Room 4 was quiet. Too quiet. The closet door was ajar. His camera case overturned.

The negatives?

Gone.

On the bed, a fresh Polaroid. He and Velma, earlier. Her robe half-slid. His mouth on her neck. Caught like flies in amber.

On the back, in red lipstick:

“We see you too.”

Roy lit a cigarette with shaking fingers. The bourbon was still warm from the room, and nowhere near enough to drown the taste in his mouth.



2 responses to “MAHOGANY FRAMED, Part II”

  1. The suspense builds,
    And a Roadmaster has four Ventiports on each side to differentiate her status from her “lesser” siblings – while any Buick of that era was surely a measure of status and commanded a certain level of respect – not the regal nature of a Cadillac- more a level of long term refinement and class rather than Nuveau-riche —- but then, we have Buicks and Cadillacs, so who am I to judge?

    Back in early 1949 the Buick ventiports were open to the engine compartment – some say as a nod to exhaust stacks, others noted relieving engine compartment heat. In either case, they were soon closed, supposedly because young boys were using them as a target to urinate.

    Thanks, Captain – and will be looking forward to the upcoming episode of this Texas Tale.

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