STORIES

MAHOGANY FRAMED, Part III


Roy Temple didn’t remember falling asleep, but when he opened his eyes, the Polaroid was still on the nightstand, lipstick still laughing at him in cursive.

“We see you too.”

He smoked his cigarette down to the filter, then stood, shirt wrinkled, belt still halfway undone. His shoes were by the door—he didn’t remember taking them off. Room 4 of the Cattle Baron was quiet, but the kind of quiet that suggests you’re not alone, just unwatched for the moment.

He drove through the morning in a haze, the Chrysler humming low on tired tires. On the way out of town, he passed the silver water tower, the ESSO station, the Lucky Lady Lounge. Everyone pretending things were just fine, like Henry Lister hadn’t just been murdered.

Because that’s what it was.

Roy found him himself—at the old lease, same place he tailed Henry to two nights earlier. Henry Lister slumped in a lawn chair behind a barn, one bullet in his head and a suicide note typed on hotel stationery in the front pocket of his seersucker blazer.

Roy didn’t need to read the note to know he didn’t write it. The font was too clean. The lies too neat.

And that’s when he heard the engine.

Low. Smooth. Regal as a prayer whispered in velvet.

The 1947 Cadillac Series 62 Convertible rolled into view, its tan soft top drawn up tight like a secret. The contrasting piping gleamed in the sun, matching the burgundy bodywork and matching fender skirts. It looked like it came from a catalog, but it smelled like trouble.

Behind the wheel: Mrs. Lister.

No panic. No surprise.

Just a cigarette and a calm glance like she was early for brunch.

“Finding what you need, Mr. Temple?”

He didn’t answer.

“You’ve been a good distraction. Velma was right—men like you need a little honey and heat to cloud your compass.”

She stepped out. Her heels sank slightly into the dirt. The “flying goddess” hood ornament caught the light like a wink from an angel with a blade in her garter.

“You drive out here alone?” he asked.

She smirked. “You think I’d risk the Cadillac on that road if I wasn’t sure?”

She circled to the back. The rear window zipped open, and she leaned in, tugging out a canvas bag. “This is Henry’s goodbye letter. You’ll make sure it finds the papers, won’t you?”

Inside the car, the tan and burgundy leather seats looked soft as sin. Tan corduroy trim ran the edges, and the three-spoke steering wheel gleamed behind the two-tone dash, every gauge alive and twitching.

Roy didn’t sit. He didn’t need to.

But the smell of fresh fuel hit him. He glanced under the body and saw it—aftermarket electric fuel pump. It had been added recently. He bet Velma didn’t even know it was there.

Or maybe she did.

“You staged this,” he said quietly.

Mrs. Lister tossed the canvas bag into the back seat.

“You think too small,” she said. “Henry was dead the moment he stopped trusting his wife. You? You’re still alive because you think she loved you.”

She leaned in, too close.

“She didn’t. She loved the idea of someone dumb enough to follow a Buick into the dark.”

Back at the Cattle Baron, the sheriff was already waiting.

“Got your name tied to the scene,” he said. “Someone said your Chrysler was parked out near Gonzalez Produce the night Henry died. Seems funny, don’t it?”

Roy didn’t laugh.

Instead, he opened his suitcase and pulled out a roll of film. Not the real one—the one they thought he had. He handed it over.

“Knock yourself out.”

Later that night, Roy drove out past the Dairy Twin and turned onto a service road most folks forgot existed. He parked behind a hay barn and waited.

At 11:17 p.m., the Cadillac showed up. The reverse light blinked once, then stayed off.

Velma got out this time.

Alone.

Her hair was down. Her blouse too white for that much moonlight.

Roy stepped out from the shadows.

“You left a piece of yourself behind,” he said, holding up a single item:

One green leather heel—the mate to the one he found in the Buick. Proof. Presence. Placement.

She froze.

“I wanted you to leave,” she said.

“I almost did.”

“You still could.”

“I won’t.”

She looked at the ground. At the Chrysler. At the car that had brought them both to this moment.

Roy stared at the Cadillac again. The 346ci L-head V8 was ticking in the cool air. Quiet, confident. 150 horses under the hood, ready to run for cover. The whole damn thing looked like it had secrets in the ashtray.

He stepped close.

“I don’t like being a patsy.”

“I didn’t pick you for that.”

“No?” He looked her dead in the eye. “Then what did you pick me for?”

She didn’t answer.

But she didn’t deny it either.

Roy drove to the post office the next morning and dropped a package addressed to his lawyer in Amarillo. Inside: real film. Photos from Gonzalez Produce. Close-ups of Henry. Velma. The cowboy. The briefcase.

Insurance. Or revenge.

Or maybe the last good deed he had left.

He stepped back into the Chrysler, the leather warm from the sun. A faint lipstick print still haunted the inside of the windshield, too high to wipe away without trying.

He left it.

Some ghosts are meant to ride along.



2 responses to “MAHOGANY FRAMED, Part III”

  1. Nice wrap-up, captain, and thanks for the ride in the era of cars I really enjoy.
    I’m not clear how the high heel and satchel wound up in the rear seat of a four door sedan, and maybe I should be less detail oriented – but your pics always add so much to each story. I’ll look forward to a future missive to “develop” from the evidence, both local and distant.

    Powerboat racing on Lake Pontchartrain this weekend, and an easy 50 mile round trip in the Corvair to the local CORSA lunch on the lake at Frenier’s Landing – then the kids are planning a 56th anniversary dinner tomorrow for my Bayou Lady and me, still riding in style. There’s something special about arriving top down in a vintage Cadillac – Vintage-Air blowing defiantly in our smiling faces.

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