STORIES

BURNING DOWN THE PANAMERICANA, Chapter 5 — Ashes to Asphalt, Dust to Dust


The final chapter of a five-part series.


By dawn, Parral was stirring like a hangover in the sun. Vendors dragged out their stalls, chickens clucked their complaints, and the last of the racers were checking tire pressure and faith. The air smelled like dust, tortillas, and bad decisions.

Rex Hall stretched his back beside the Studebaker Commander, the car looking as tired and loyal as its drivers. The once-sleek coupe was now half-tan, half-bug splatter, its chrome dulled by a thousand miles of Mexican grit. Cutter Bridges leaned on the hood, scribbling something in a notepad that wasn’t exactly official.

“Timing sheets?” Rex asked, lighting a Lucky Strike.

“Menu ideas,” Cutter said. “If the Grounds for Divorce ever expands south of the border, we’re gonna need something stronger than Folgers.”

Rex squinted down the street, where Angus Hopper’s Falcon was parked in the shade of a Pemex sign. Chad was asleep inside, one arm dangling out the window, his Piggly Wiggly apron wadded under his head like a small-town halo.

“Hard to believe,” Rex muttered, “those two are leading.”

“They’re like dysentery,” Cutter said. “Unpleasant, persistent, and somehow always ahead of you.”

Angus wasn’t celebrating. His coffee was cold, and the cigar between his teeth had burned out. Word had reached him just before sunrise: Mayor Goodman—His Honor of Fort Stockton, patron saint of slippery deals—had “borrowed” the entire Municipal Employee Retirement Fund to place a bet on the Falcon.

It wasn’t just reckless. It was biblical-level stupid. Goodman had bribed Mexican radio operators to report standings in real time, greased palms from Durango to Chihuahua, and wagered that Hopper and Chad would finish first. If they won, Goodman would double the fund. If they lost, half the town’s future pensions would go up in smoke.

Angus had been accused of many things in his life—gruffness, mule-headedness, a general allergy to shirts with collars—but he’d never been called dishonest. He wasn’t about to start now.

He watched the sun crawl higher, thought of Fort Stockton’s teachers, policemen, firemen, and librarians—all the folks who’d trusted that retirement fund. And he made his choice.

He’d make sure Goodman lost, even if it meant taking the Falcon—and himself—down in the process.

The final leg stretched from Parral to Chihuahua City, a winding, sun-baked strip of heaven and hell. Mountains, switchbacks, dust like talcum powder, and a sun mean enough to bleach paint. The Falcon led the convoy, its exhaust note echoing off the canyons like thunder.

Chad rode shotgun, wearing borrowed sunglasses from a kid at the Fresnillo fuel stop and still mourning the cactus-stricken phone.
“Think I could’ve gone viral by now,” he said. “Hashtag FalconFuryFSU was trending.”

“Trending don’t mean winning,” Angus said, shifting gears hard enough to make the dash rattle. “And winnin’ don’t mean you’re right.”

Chad frowned. “You been talkin’ in riddles all morning. You okay?”

Angus didn’t answer. He had the look of a man who’d already decided something no one could talk him out of.

Behind them, the rest of the Fort Stockton fleet thundered in glorious disarray.
Lucinda and Delgado’s ’56 Premiere glided like a Sunday sermon, its twin carbs singing redemption through open headers.
Thelma and Trixie’s Capri fishtailed around every curve, Thelma’s rosary swinging like a metronome of fear.
Rusty’s Customline puffed oil smoke so thick Hairless said he could read scripture in it.
And the Studebaker Commander—Rex and Cutter’s noble mule—kept trudging on, smelling faintly of clutch dust and bad coffee.

The radio chatter between them was part comedy, part chaos.

“Thelma’s praying again!”
“Rusty’s losing oil pressure!”
“Delgado’s drinking espresso while driving!”
“Hairless says he’s seeing angels in the smoke!”

All of them, somehow, were still rolling.

By mid-afternoon, the racers crested a plateau where the world seemed to end. The desert opened like a wound below, shimmering heat blurring horizon and sky. Angus pulled the Falcon over to the shoulder. The engine ticked. The silence roared.

“You all right?” Chad asked.

Angus didn’t answer. He was staring at the road ahead, where Chihuahua City glimmered in the distance like a mirage—or maybe a finish line.

“Something’s wrong,” Angus said. “Too easy. Goodman’s kind of wrong.”

Chad blinked. “You think he’s—wait. You mean Mayor Goodman? The mayor-mayor?”

“Don’t sound so surprised. That man’s greedier than a buzzard at a barbecue.” Angus leaned back in his seat. “He stole the whole damn retirement fund. Bet it all on us.”

Chad’s jaw dropped. “You’re joking.”

Angus gave him a look sharp enough to shave with. “Do I look like I’m joking?”

The roar of the Falcon drowned out the rest. They flew past the outskirts of Chihuahua City, the finish line ahead—a chaos of banners, horns, and cheering crowds. Mexican flags waved from balconies, confetti spun in the heat, and loudspeakers crackled with anticipation.

Chad leaned forward, grinning ear to ear. “We’re gonna do it! We’re actually gonna—”

But Angus wasn’t smiling. His eyes were locked on the line, twenty feet ahead. He downshifted, braked just enough to make Chad grab the dash, and rolled the car to a halt short of victory.

The crowd screamed. Officials shouted. Sister Thelma gasped from the sidelines, clutching her hymnbook like a shield.

“Angus!” Chad yelled. “We’re twenty feet away!”

Angus cut the ignition, stepped out, and walked to the rear of the Falcon. He pulled off his hat, stuffed his red bandana into the fuel filler neck, and struck a match on his boot heel.

“Angus, no!”

But Angus just smiled around his cigar. “That’s for the teachers, the firemen, and the poor bastards who shelved books for thirty years thinkin’ they had a pension.”

He held the flame to the bandana.

The explosion was biblical.

A thunderclap of fire rolled across the plaza, scattering birds and bureaucrats alike. The Falcon vanished in a cloud of glory—metal, smoke, and the kind of poetic justice that can only be found in Mexico or small-town Texas.

Hubcaps rolled into fruit stands. A carburetor landed in a tamale vendor’s pot. Somewhere, Rusty Hammer yelled, “Hot damn, that’s efficiency!”

When the smoke cleared, Angus stood there—hat singed, shirt blackened, cigar still lit.

“Race’s over,” he said. “And so’s Goodman’s bet.”

The crowd didn’t know whether to cheer or cry. The announcer stammered through static, trying to make sense of what had just happened. But among the racers, there was no confusion. They knew exactly what Angus had done—and why.

Delgado saluted him with a coffee cup.
Lucinda clapped her hands and called it “divine combustion.”
Trixie said she’d seen worse blowups at beauty pageants.
Sister Thelma dropped to her knees and whispered, “Thank you, Lord, for understanding Texans.”

The chalkboard standings went up a few minutes later:

  1. Hopper & ChadDisqualified by Explosion
  2. Delgado & LucindaOfficial Winners
  3. Hall & BridgesStill Counting the Bolts
  4. Las Damas del LincolnMiraculously Intact
  5. Rusty & HairlessLate but Loud

That night, after the flames had died and the reporters stopped shouting, the entire Fort Stockton crew gathered at the edge of the empty plaza. A tired Mexican bus waited to take them home—its headlights yellow, its paint faded, but its engine still eager.

They climbed aboard one by one. Lucinda carried a coffee thermos big enough for six. Delgado had a radio balanced on his knee. Trixie and Thelma shared a seat near the front, rosary and hairspray side by side. Rusty sat across from Hairless, already arguing about who owed who for spark plugs. Chad sprawled in the back, eyes half-closed, still smelling faintly of burnt fuel and regret.

Angus was last aboard. He handed a crumpled wad of pesos to the driver, muttering, “Fort Stockton, por favor.”

As the bus rattled north through the desert, headlights bouncing off cactus and sand, the racers swapped stories, laughter rising above the engine noise. By the time they hit the border, they’d made a plan:

They’d hold a fundraiser back home—for every teacher, policeman, fireman, and librarian whose retirement had gone up in flames with the Falcon.
Hairless offered to cook.
Lucinda promised free coffee.
Trixie offered styling for donations.
Rusty volunteered the parking lot.
Sister Thelma said she’d pray, though she warned that miracles were still on backorder.

Even Chad had an idea. “We could call it Race to Restore Fort Stockton,” he said, half-proud.

Angus just nodded, staring out the window at the night. “Long as Goodman ain’t invited.”

When they rolled back into town three days later, Mayor Goodman was already on the courthouse steps, sweating through a press conference.

“My fellow citizens,” he declared, dabbing his forehead, “these so-called ‘allegations’ regarding missing retirement funds are the work of Mexican drug cartels seeking to undermine civic trust!”

A reporter shouted, “Did you place a bet on the race, Mr. Mayor?”

Goodman puffed up. “Absolutely not! I was investing in community pride!”

Behind him, the returning racers stood in a line—dusty, united, unimpressed. The town watched, then turned its eyes toward Angus, who simply removed his hat, spat once, and said, “Cartels my ass.”

The quote made the Stockton Telegram-Dispatch front page. Goodman was narrowly reelected that fall—proof that, in politics as in racing, wrecks always draw a crowd.

Weeks later, a new mural appeared on the side of the Piggly Wiggly. It showed a white Falcon in mid-explosion, a lone figure in a straw hat walking away from the flames.
Beneath it read:

ANGUS HOPPER — BLEW UP THE SYSTEM, NOT THE PEOPLE.

Lucinda framed the newspaper article and hung it in Grounds for Divorce, right above the Bunn-O-Matic. The headline read:

“TEAM HOPPER LOSES RACE, SAVES HONOR.”

Every morning after that, Angus came in for coffee, nodded toward the mural across the square, and said the same thing:
“Could’ve been worse.”

Rusty would snort.
Thelma would bless herself.
And Hairless would grin into his cup.

Because in Fort Stockton, that was as close as anyone ever came to a happy ending.



4 responses to “BURNING DOWN THE PANAMERICANA, Chapter 5 — Ashes to Asphalt, Dust to Dust”

  1. “The Last Sentence”

    Darn, that’s a bummer. So, it’s never gonna be a happy ending. The mayor’s never gonna drown in a pit of pig-poopie!

    And, Lucinda….never gonna be on calendars hanging in garages, or tucked under teen-age boys mattresses!

    Well….shoot!

  2. Given the host’s penchant for mixing a delicious cocktail of different eras wherein it pertains to characters and cars, I wish he would’ve been around circa 1979 to write the screenplay for “The Cannonball Run” as this Fort Stockton-based saga was beyond infinitely better (if that’s possible, it should be).

    Then the collective psyche of the American people who went to the show to see the cars would’ve never been subjected to the horror of seeing, at that particular moment in history, a past-their-prime Rat Pack yucking it up with Jamie Farr and other D-List celebrities, or Burt Reynolds and Dom DeLuise in peak slapstick smarminess laboring through an awfully inane script.
    Furthermore, Adrienne Barbeau and Farah Fawcetf have absolutely nothing on our Lucinda and Trixie.

    There is one thing however, in today’s otherwise excellent conclusion that must be addressed, and that’s the very last sentence:

    When it was written, the Captain was obviously discounting about what goes on at the Scuttlebutt on a nightly basis.

    • Your astute observation is duly noted.

      As a result, I am changing the song for the grand finale of the musical version of this series, which will be performed this spring by the Drama Department of Jim Bowie High School.

      The All-Girl Senior Choir will no longer perform a dance version of José Feliciano’s “Light My Fire” while circling a crude imitation of a 1965 Falcon built by Mr. Binderman’s Wood Shop class as it goes up in flames.

      Instead, Mr. Binderman and Trixie will perform a heartfelt duet of “Come What May” in front of a cardboard reproduction of The Scuttlebutt crafted by Miss Megargel’s Art Class.

      “Art should comfort the disturbed and disturb the comfortable.”
— César A. Cruz

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