
Fort Stockton, Texas, February 1972
The trouble started the way important trouble often did in Fort Stockton.
With strangers in pressed clothes pulling into town like they expected the world to make room.
They came in late on a Friday afternoon, five vehicles in all, led by a black Cadillac that looked too polished to belong west of the Pecos for more than ten minutes. Behind it rolled two Ford station wagons full of camera gear, a box truck with lighting equipment, and a rented sedan carrying men in windbreakers whose hair looked like it had been combed by committee.
The convoy swept into the gravel lot of the Naughty Pine Motel, kicking up a pale halo of dust that drifted across the office windows and settled onto Leon’s already flat Diet Pepsi.

Leon was behind the desk half-watching Gomer Pyle, U.S.M.C. with the sound down and a cigarette he’d forgotten to light resting behind one ear. He looked up through the front glass and knew immediately this bunch was not from around there. Nobody local wore loafers in gravel unless they had recently lost a bet.
The tall one came in first, carrying a leather folder and the look of a man used to hearing his own name repeated back to him.
“Good afternoon,” he said. “I’m Walter Hathaway with Ford Motor Company.”
Leon took a long look at him.
“You lost?”
Hathaway smiled with all the confidence of Detroit and none of the caution of West Texas.
“Not at all. We’re here to shoot a Mercury ad.”
Leon nodded slowly, as if he were being told the Baptists had decided to open a casino.
“Well,” he said, “that still don’t explain why y’all look like the IRS.”
Hathaway laughed a little too hard. “We’ll need twelve rooms. Two nights, maybe three. We’re filming outside town beginning tomorrow.”
Leon reached for the register. “What kind of commercial?”
Hathaway gave the answer in the same cheerful tone a man might use to order pie.
“We’re wiring a bottle of nitroglycerin to a detonator in the back seat of a Mercury Monterey.”
Leon’s hand stopped halfway to the room keys.
“I’m sorry,” he said. “I thought you said nitroglycerin.”
“I did.”
Leon stared at him another second, then slid the guest ledger across the counter.
“Well hell,” he said. “Welcome to Fort Stockton.”
By sunset the whole town had heard some version of it. By dinnertime those versions had multiplied like jackrabbits.
Ford was in town. Mercury was in town. They were blowing up a car. No, they were blowing up a bottle in the car. No, they were blowing up the road under the car. No, they were filming a secret government test disguised as an ad. By the time the rumor reached the Lucky Lady Lounge, one man swore they were testing whether a Detroit sedan could survive a communist assassination attempt.
At the Rusty Hammer Hardware Store, Rusty himself heard the details from three separate people in under an hour and each version was somehow less sensible than the last. Rusty leaned on the counter, red beard glowing under the fluorescent lights, and listened with the expression of a man trying to determine whether civilization had finally overreached.
“So let me get this straight,” he said. “They’re putting a bottle of nitro in a Mercury to prove the ride is smooth.”
“That’s what they say,” replied a rancher buying fence staples.
Rusty nodded. “That is either the dumbest idea in advertising history or pure genius.”
“Can’t it be both?”
“In this town,” Rusty said, “that’s usually the sweet spot.”
The car arrived the next morning on a transporter from El Paso.
It was a long, green 1972 Mercury Monterey sedan, deep metallic green with a vinyl top and enough sheet metal to shade a picnic. It looked stately and smooth and expensive without being flashy, the kind of car a bank president’s brother-in-law might drive to a funeral and a fish fry in the same afternoon.











The Ford people unloaded it with reverence. Mr. Hathaway gave a little speech in the parking lot of the Naughty Pine about engineering excellence, full-size comfort, and the confidence of the Lincoln-Mercury Division. Nobody local paid much attention until he said the word nitroglycerin again.
That got them.
The setup was to be done on a road west of town, out where Fort Stockton flattened into brush and distance and old arguments with God. Hathaway and the Ford engineer had brought a special steel cradle, wiring, and a trigger assembly. It all looked very technical until they discovered one bracket didn’t fit the mount they’d shipped from Michigan.
That was how Rusty got involved.
Nobody asked him. He simply appeared, as men like Rusty often did when there was a bolt problem within twenty miles, carrying a dented toolbox and wearing his “Jim Bowie: Home of the Fightin’ Knives” shirt under a work jacket.
He squatted beside the open rear door, studied the rig, and made a face.
“Y’all built this in a city, didn’t you?”
The Ford engineer bristled. “In Dearborn.”
“That answers it.”

Rusty rummaged through his box, produced two washers, a custom-cut plate, some wiring, and a short piece of rubber he claimed had once served nobly in an irrigation system. Within twenty minutes he had the whole thing steadier than the original setup.
Hathaway looked at it skeptically. “Is that safe?”
Rusty stood up. “Safe ain’t the word I’d use. But it’s Fort Stockton-ready.”
The bottle itself arrived in a padded case that was handled with such care it became instantly irresistible to the less responsible men on the crew. One photographer asked if it was real. The engineer said yes. A grip asked if it could go off from a sharp bump. The engineer said absolutely. Trixie, who had driven out in her Buick just to see what kind of fools had wandered into town, asked if that meant the bottle was more temperamental than most men.
“By a wide margin,” Rusty said.
Trixie was nearly forty and carrying it better than most women carried thirty. She had that kind of beauty that looked expensive even when it wasn’t, and a laugh that made men volunteer for jobs they were not qualified to perform. She wore her blond hair high, her eyes painted just enough to suggest intent, and her blouse with the confidence of a woman who had long ago stopped apologizing for the effect she had on a room.
The test driver noticed her immediately.
His name was Carlton Pierce, a Ford proving-ground man out of Michigan with steady hands, a narrow face, and the sort of calm temperament you’d want in a man transporting nitroglycerin across caliche roads. He had spent years driving test vehicles in ugly weather and worse conditions, but he had never before done it under the gaze of half a Texas town and one very interested hairdresser.
Trixie noticed him noticing her and that was that.
“Y’all really gonna drive that thing with a bottle of nitro in the back?” she asked.
Carlton nodded. “That’s the job.”
She smiled. “You must be either very brave or a little simple.”
“I’ve been called both.”
“Good,” she said. “I don’t dance with cautious men.”
That evening the crew did what all outsiders eventually did when stranded in Fort Stockton with per diem money and no sense of proportion.
They found the Lucky Lady Lounge.
The Lucky Lady was housed in one of the oldest buildings in town and smelled of cold beer, cigarette smoke, old wood, and at least four decades of bad decisions. The place had a jukebox that leaned toward George Jones and a bar top polished by elbows, rings, tears, and time. By eight o’clock the Ford people were three rounds in and learning that local pours were less a measure than a philosophy.
Mr. Hathaway tried to charm the barmaids with stories about Detroit. Nobody cared. A cameraman from Chicago got into an argument with a rancher about whether a Mercury was finer than a Buick. A sound man from California asked for white wine and was met with the kind of silence usually reserved for funerals and profanity in church.
Rusty showed up late and stayed near the bar, drinking beer and enjoying the show like a man who had bought a ticket. Rex Hall came in around nine after closing the pharmacy. Rex was the sort of man who always looked composed, even in a panic. He wore his white pharmacist’s coat until someone reminded him he looked like he was about to fill prescriptions for the jukebox. He took it off, folded it over a chair, and sat down beside Rusty.
“You really rigged that thing?”
“Improved it,” Rusty said.
Rex took a slow sip of beer. “I brought supplies.”
“What kind?”
“Bandages. Burn cream. Smelling salts. Gauze. Splints. A bottle of Betadine. And one pint of medicinal whiskey in case somebody needs courage restored internally.”
Rusty nodded with admiration. “That’s why you’re the best pharmacist in town.”
“I’m the only pharmacist in town.”
“That’s usually how excellence starts.”

By ten-thirty Trixie had Carlton half-drunk and fully charmed. She danced with him once, then twice, and by the third song he looked like a man who had forgotten both Detroit and nitroglycerin. Someone from the crew bought a round for the house. Somebody else put Hank Williams on the jukebox. Hathaway stood on a barstool and proposed a toast to Mercury engineering, which drew polite confusion and one shouted request to sit his ass down.
By closing time the entire Ford operation was listing sideways.
Carlton left with Trixie.
They drove back to the Naughty Pine Motel in the kind of hush that follows loud music and bad whiskey. Out front, the motel sign buzzed in blue and pink. A few moths circled it like doomed thoughts.
They went into Room #7.
How the nitroglycerin got there depended on who told it later.
Carlton always maintained he had brought the padded case into the room because he did not trust anyone on the crew to leave it alone overnight. Trixie said he brought it in because he was too drunk to distinguish between “handle with extreme caution” and “personal luggage.” Leon believed both explanations were true.
What matters is that Carlton woke the next morning around eight with the sensation that someone had stuffed cotton in his mouth and rung a church bell inside his skull. He opened one eye. Trixie was beside him, still asleep, one arm across the sheet, hair spread over the pillow like she’d conquered it in the night.
Then he saw the nightstand.
There, between an ashtray, a motel Gideon Bible with a broken spine, and the vibrating control box for the bed’s Magic Fingers, sat the padded case.
And resting half out of it, close enough to make a saint reconsider his theology, was the bottle of nitroglycerin.
Carlton stopped breathing.
He looked at the Magic Fingers switch.
Then at the bottle.
Then back at the switch.
The switch was close enough to brush by accident. The bottle looked far too calm for what it was capable of.
He whispered, very carefully, “Trixie.”
She made a small sound and didn’t move.
“Trixie.”
One eye opened. “What.”
“That bottle on the nightstand…”
She looked at it and yawned. “Mm-hmm.”
“That’s nitroglycerin.”
“So don’t flop around.”
He stared at her in disbelief. “And that’s a Magic Fingers box right next to it.”
She looked again, squinted, and then chuckled in a way Carlton found deeply unhelpful.
“Well,” she said, “that does add a little suspense.”

Carlton eased himself upright with the delicate concentration of a bomb disposal expert removing a contact lens. Every spring in the bed seemed suddenly malicious. He reached over, pinched the Magic Fingers cord between two fingers, and slowly unplugged it from the wall.
Trixie watched the whole operation with lazy amusement.
“You are the most careful man I’ve ever taken to bed,” she said.
“I drive test cars for a living.”
“That so? I figured you sold life insurance.”
Out on the location road, the Ford crew was already setting up and growing increasingly nervous about the whereabouts of both its driver and its explosive payload. Hathaway was pacing. The cameraman had a hangover visible from space. The engineer kept checking his watch like that might somehow make Carlton appear.
When Carlton finally arrived, carrying the nitro case with both hands and the thousand-yard stare of a man who had just spent a morning negotiating with death and motel furniture, nobody said much at first.
Trixie, following behind in her own car, rolled down her window as she passed Rusty and said, “He’s still in one piece. Barely.”
Rusty looked at Carlton, then at the bottle.
“Rough night?”
Carlton gave him a look so flat it might have been measured with a carpenter’s level.
“There was nitroglycerin next to a Magic Fingers control box.”
Rusty let that settle in.
“Well,” he said at last, “that’ll make a man appreciate smooth suspension.”

They did one rehearsal with a stand-in bottle and a second with the real thing secured in the back seat. Cameras were placed at three positions. One unit shot the car broadside against the desert. Another shot the bottle. A third rode ahead to catch the approach over the rough road.
The road itself was no joke. Hathaway had chosen a four-mile section outside town that looked manageable to men from Michigan and actively vengeful to men from Texas. There were washboards, loose gravel, a cattle guard, and one dip everybody locally called Widowmaker though no widow had yet officially resulted from it.
“Perfect,” Hathaway said.
Rusty looked at him. “You and I define that word different.”
The first run drew half the county.
Pickups lined the roadside. Boys climbed fence posts for a better view. One old rancher brought lawn chairs. Somebody sold Cokes from a cooler. Leon from the Naughty Pine stood near Rex Hall, who had set up a little first-aid station on the tailgate of his station wagon complete with bandages, tape, aspirin, and that bottle of precautionary whiskey.
Leon nodded toward the supplies. “You reckon that’s enough?”
Rex looked at the Mercury. “I reckon if it goes truly wrong, this is mostly decorative.”
Carlton eased the big green Monterey to the starting point. The engine idled low and smooth. The bottle sat in the back seat like a bad idea in formalwear.
Hathaway raised his arm.
“Action!”
The Mercury rolled forward.
Dust rose behind it in a long veil. The big sedan took the first rough stretch with a kind of floating dignity that seemed almost offensive given the road. It crossed the washboards. Nothing. It hit the shallow dip. Nothing. It took a side ripple that would have made a wagon confess its sins. Nothing.
The bottle never twitched.
At the finish, the crowd let out a cheer.
Carlton kept driving another fifty yards before stopping, perhaps on general principle.
The second pass was faster. The third pass was filmed lower. On the fourth, one of the cameras jammed and Hathaway cursed hard enough to make a Methodist blink. The fifth pass was the money shot. The Monterey came over the rough stretch with the sun hitting the hood, the suspension soaking up the road so gracefully that even the skeptics had to admit it looked impressive.
Rusty folded his arms and nodded.
“I hate to say it,” he told Rex, “but that sumbitch rides smoother than courthouse gossip.”
“Nothing rides smoother than courthouse gossip,” Rex replied. “That stuff don’t even touch the ground.”
By late afternoon Hathaway had what he needed. The Ford men shook hands all around. Carlton looked as if he intended to spend the next month somewhere very still. Trixie kissed him on the cheek and told him if Mercury ever wanted to test seat comfort, she was available for consulting work.
The crew celebrated again that night at the Lucky Lady, though with a little less swagger and a lot more relief. Nobody tried to bring the nitroglycerin inside this time. Rusty and Rex sat together near the end of the bar while Hathaway bragged that the ad would be unforgettable.
He was right.
When it ran, the country noticed.

There was the green Monterey in the Texas light. There was the bottle. There was the detonator. There was all that big American confidence rolling over a rough road in Fort Stockton, Texas, and refusing to blow up.
It worked so well, in fact, that Mercury went back to the same fevered well and shot another ad not long after featuring a diamond being cut in the back seat of a Mercury to prove the ride was just as smooth and just as composed under ridiculous circumstances.
There was talk, at least for a spell, of bringing that one back to Fort Stockton too.
The town would have loved it. Leon was in favor. Rusty said he could probably improve the rigging again. Rex Hall said he still had leftover gauze. Trixie said she believed in supporting repeat business.
But by then there were complications.
Two members of the original crew had charges pending of a nature no one ever fully explained in public, though the phrases “disturbing the peace,” “public intoxication,” and “misunderstanding involving a decorative saddle and a deputy’s cousin” floated around for years. On top of that, somebody at Mercury decided they did not want the brand getting typecast as transportation strictly for wealthy Texas oil-and-cattle people with ranch gates wider than Rhode Island.
So the diamond-cutting ad was shot in Manhattan instead.
When the people of Fort Stockton finally saw it, nobody was impressed.

The city looked cramped. The light looked wrong. The whole thing had that chilly, expensive feeling of a place where nobody really meant what they said. Folks around town agreed that if Mercury wanted America to dream, it ought to have stuck with Fort Stockton. West Texas gave a car room to breathe. Manhattan just made it look like it was trying to get to a dentist appointment.
Rusty’s verdict was the one that lasted.
He stood in Rex Hall Pharmacy, looking at the magazine spread, and said, “That may be a diamond, but Fort Stockton played better.”
Rex nodded. “A whole lot better to the masses.”
And that was the truth of it.
Because for one long, ridiculous weekend in 1972, Fort Stockton had hosted Detroit, survived nitroglycerin in a motel room, watched a Mercury float over a road that ought to have broken it in half, and sent a crew home with footage nobody would ever quite believe.
The ad sold smoothness. The town remembered the madness.
And in Fort Stockton, those were never the same thing.
3 responses to “THE WEEKEND MERCURY TRIED TO BLOW UP FORT STOCKTON”
I remember seeing the Diamond commercial live
https://www.youtube.com/watch?v=8It6KFhlsBo
But the SNL skit:
https://www.tiktok.com/@thealmanac77/video/7349628101665557766
is the perfect take-off – and Gilda Radner, playing the new mother, was a true classic !
Reminds me of a SNL skit on the Royal Deluxe II with Garrett Morris doing the driving, while a Rabbi was performing a circumcision on an infant in the back seat. He kept looking in the mirror with eyes that looked like dinner plates.
I don’t remember the nitroglycerine commercial, I remember some bits from the diamond cutting commercial, but the SNL skit is permanently etched into my brain.
As long as we’re on old TV memories, is Walter Hathaway related to Miss Jane Hathaway?